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SIMONATO Lucia

SIMONATO Lucia
Ricercatore
STORIA DELL'ARTE MODERNA (SSD: L-ART/02)
050 509147
Palazzo della Carovana , piano quarto, stanza 116

A-Levels at the ‘Liceo Classico’ of Bolzano in 1995. Studies at the University of Pisa (1999: graduated in History of Early Modern Art) and at the Scuola Normale Superiore under the guidance of Paola Barocchi (1995-1999: Corso ordinario; 1999-2002: Corso di Perfezionamento), with the completion of the Diploma di Licenza in January 2000 and of the Ph.D. in May 2005 in Art History. Post-doctoral research fellowship at the Scuola Normale Superiore (2005-2007) and at the Kunsthistorisches Institut in Florence – Max-Planck-Institut (2007-2008). In the same institution, academic assistant from 2002 to 2005. Currently tenured Researcher in History of Early Modern Art (Renaissance, Baroque and Neoclassical) at the Scuola Normale Superiore since December 2008 (confirmed in December 2011). Attainment of the National Scientific Qualification as Associate Professor in Art History (10/B1) in February 2014 and as Full Professor in Art History (10/B1) in October 2018.

Principle research topics: artistic literature in Europe between the seventeenth and eighteenth centuries; Baroque sculpture; papal patronage in the Early Modern Age; the critical and visual fortunes of the Baroque artists in the contemporary era.

Other titles and activities

  • Scientific collaboration: Associate Researcher of the Kunsthistorisches Institut in Florence – Max-Planck-Institut (from 2009)
  • Editorial activities: member of the editorial scientific committee of «Rivista d'Arte», Olschki (from 2011) and of the editorial board of the «Annali. Classe di Lettere e Filosofia», Edizioni della Normale (from 2015)
  • Professorships: visiting professor at the Albert-Ludwigs-Universität Freiburg, Germany (November 2012; May 2014)
  • Fellowships: Paul Mellon Visiting Senior Fellow / Millon Architectural History Guest Scholar at the Center for Advanced Study in the Visual Arts (CASVA) – National Gallery of Art di Washington DC (autumn 2013); Chercheuse invitée of the Institut national d’histoire de l’art in Paris (summer 2016)

Books

  • Bernini scultore. Il difficile dialogo con la modernità, Milano, Electa 2018 (author)
  • Il cardinale Gianfrancesco Albani e le arti tra Roma e Urbino. Il ritratto ritrovato / Cardinal Gianfrancesco Albani and the Arts between Rome and Urbino. A Rediscovered Portrait, Milano, Silvana 2017 (editor)
  • Die Künstler der «Teutschen Academie» von Joachim von Sandrart: Aus aller Herren Länder, Turnhout (Belgium), Brepols 2015 (co-editor with Susanne Meurer and Anna Schreurs-Morét)
  • Le arti a dialogo. Medaglie e medaglisti tra Quattro e Settecento, Pisa, Edizioni della Nomale 2014 (editor)
  • «Impronta di Sua Santità». Urbano VIII e le medaglie, Pisa, Edizioni della Normale 2008 (author)

Conferences and lectures

Scientific curator and co-curator of international conferences at the Scuola Normale Superiore in Pisa (2011, 2015, 2016, 2017), at the Goethe-Universität of Frankfurt am Main (2010), at the Kunsthistorisches Institut in Florence (2015), at the Fondazione Federico Zeri in Bologna (2017), and at the Annual Meeting of the RSA  in New Orleans (2018).

Conferences and lessons in Europe and U.S. at the Freie Universität in Berlin (2000), the Université de Paris IV-Sorbonne (2003), the Cabinet des Estampes de la Bibliothèque Royale Albert I in Brussels (2008), the Albert-Ludwigs-Universität in Freiburg (2012), the Wallace Collection in London (2013), the Université de Lausanne (2018), the Palais des Académies in Brussels (2018), and at the Annual Meeting of the RSA in Berlin (2015) and in New Orleans (2018); in Italy at the Scuola Normale Superiore in Pisa (2002, 2011, 2016), the École Internationale de Printemps en Histoire de l’Art in Cortona (2005), the Bibliotheca Hertziana in Rome (2004, 2006, 2017), the Kunsthistorisches Institut in Florence (2008, 2015), at the Annual Meeting of the RSA in Venice (2010), the Accademia di Belle Arti in Naples (2011), the Università La Sapienza in Rome (2012, 2018), the Università della Tuscia in Viterbo (2013), the Scuola dell’Arte della Medaglia in Rome (2014), the Università degli Studi di Urbino Carlo Bo (2015), the Università di Pisa (2016) and the Scuola Superiore Sant’Anna (2018).

Exhibitions

  • Curator of the exhibition Il ritratto ritrovato. Il cardinale Gianfrancesco Albani e le arti tra Roma e Urbino (Urbino 2017)
  • Member of the Scientific Committee of the exhibition Da Jacopo della Quercia a Donatello. Il primo Rinascimento a Siena (Siena, 2010), and curator of its section Manoscritti miniati ed illustrati. Codici religiosi
  • Member of the Scientific Committee of the exhibition La Roma antica e moderna del cardinale Giulio Alberoni (Piacenza, 2008/2009)

PhD Tutoring at the SNS

  • Giulia Zaccariotto (2011/2012), «In nulla parte alle antique inferiori di bellezza et arte». Le medaglie di Vittore Gambello detto Camelio (Venezia 1460-1527); Discussion: 11 September 2018; Jury: Giovanni Agosti, Lucio Biasiori, Howard Burns, Claudia Cremonini, Luca D’Onghia, Flavio Fergonzi, Martin Gaier
  • Alice Collavin (2014/2015), Carlo Loth e la geografia artistica della ricezione veneziana alla fine del Seicento, in progress
  • Camilla Parisi (2014/2015), Filippo della Valle, in progress
  • Maria Gabriella Matarazzo (2015/2016), Rapporti tra pittura e scultura nella Roma tardobarocca (1650-1715), in progress
  • Vittoria Brunetti (2016/2017), Lorenzo Ottoni, in progress
  • Marco Scansani (2016/2017), Giovanni de Fondulis: la terracotta tra Donatello e Riccio, in progress