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Journeys of the Soul

Multiple topographies in the Camposanto of Pisa



The construction of the Camposanto in Pisa, begun in the late 1270s, resulted in an innovative type of monumental cemetery. Generously dimensioned and surrounded by a prestigious shell of white marble, the new cemetery of the cathedral complemented both the dome and baptistery as a third monument of equal ranking. Placed directly beside one of the city gates, the cemetery complex constituted an astonishing Portal of the powerful seaport. Great artistic expenditure was continued on the inside: the high walls of the four wings were decorated with frescoes of heretofore unknown dimensions, thus creating one of the most impressive painted spaces of the Late Middle Ages. The Camposanto provided the municipal audiences with a place of burial which eclipsed that of the popular mendicant church cemeteries.


The aim of the conference is to illuminate the Camposanto venture as an innovative interaction between the two artistic mediums of architecture and mural painting and the funerary utilization of the space. The guiding concept of “Journey” allows us to consider perceptions of burial as an entry into an otherworldly Journey, as well as journeys to holy and otherworldly places, which areinvoked in the iconographic program of the frescoes.


Following this concept, the conference will focus on a long Pisan tradition of spatial interweaving of locations within the Mediterranean Region – in particular the holy sites of Palestine - which were diversely linked to Pisa through overseas trade, by military participation in the crusades and through its position as starting point and place of passage for pilgrimages.


It is a key purpose of the conference to consider the interplay between the sacred substance of earth, the fictive spaces within the murals and the burial practices within the cemetery.







ORGANIZERS

Michele Bacci (Université de Fribourg)


David Ganz (Universität Zürich)


Rahel Meier (Kunsthistorisches Institut Florenz)







Contact

Rahel Meierrahel.meier@unifr.ch+393662011332







Programme

THURSDAY, 1/09


09:00 Greetings by Fabio Beltram (Director of the Scuola Normale Superiore, Pisa)


09.10 Introduction by Michele Bacci (Fribourg) and David Ganz (Zurich)


PANEL I – THE CAMPOSANTO: ARCHITECTURAL AND PICTORIAL TOPOGRAPHIES


CHAIR: David Ganz


09:30 Neta Bodner (Jerusalem): A Reading of the Camposanto’s Role among the Monuments of the ‘Piazza’


10:30 Margherita Orsero (Lausanne): La parete dipinta sulla piazza: sequenze, strati pittorici, incongruenze


11:30 Coffee break


12:00 Lorenzo Carletti (Pisa)/Francesca Polacci (Siena): Senza cornice: lo spazio dell‘arte negli affreschi del Camposanto tra ricezione e storia materiale


13:00 Lunch break


14:30 VISIT TO THE CAMPOSANTO with Carlo Giantomassi and Donatella Zari


PANEL II – SACRED EARTH. THE TERRA SANCTA-LEGEND


CHAIR: Michele Bacci


16:00 Rahel Meier (Florence): Between Flesh and Blood. The Early Construction History of the Camposanto in Pisa and its Relation to the so-called Terra Santa Legend


17:00 Coffee break


17:30 David Ganz (Zurich): Sacred Earth, Panoramatic Spaces. The Early Fresco Decoration of the Campo Santo


19:00 Conference Dinner


FRIDAY, 2/09


PANEL III – THE JOURNEY AFTER DEATH


CHAIR: Rahel Meier


10:00 Friederike Wille (Berlin): “Mirandoti intorno“: Visual evidences in Campus sanctus


11:00 Coffee break


11:30 Alessandra Malquori (Florence): L’immagine della morte e l’edificazione attraverso l’immagine nelle Storie degli anacoreti del Camposanto di Pisa


12:30 Lunch break


14:00 VISIT TO THE LABORATORIO DI CAMPALDO with Carlo Giantomassi and Donatella Zari


16:00 Roundtable discussion with Michele Bacci (Fribourg), Ottavio Banti (Pisa), Antonio Caleca (Pisa), Chiara Frugoni (Pisa), David Ganz (Zurich),  Mauro Ronzani (Pisa)


17:00 Coffee break


17:30 Conclusion by Michele Bacci


18.00 End of Conference