Francesco Senarega studied Classics at the University of Pisa (BA 2020; MA 2022) and at the Scuola Normale Superiore (2017-2022), as an undergraduate student of the Corso Ordinario in the Faculty of Humanities. He is currently a PhD student in Classics at the Scuola (2023-…).
He received his Bachelor’s degree in Philosophy (2020) and his Master’s degree in Philosophy and Forms of Knowledge (2022) from the University of Pisa. He was a student at the Scuola Normale Superiore (Faculty of Humanities) from 2017 to 2022, where he obtained the Postgraduate Diploma in Philosophy in 2023. Since 2022, he has been a PhD candidate in Philosophy at the Scuola Normale Superiore. He has been a visiting student at University College Dublin (Ireland) and at the University of Edinburgh (United Kingdom).
He graduated in Art History (BA 2020, MA 2023) at the University of Pisa. He was an undergraduate student in the Class of Humanities at the Scuola Normale Superiore (2017-2022), where he has been a PhD student in Art History since 2023 (supervisor: Flavio Fergonzi).
Francesco Grotto graduated in Philology and History of Antiquity at the University of Pisa (BA 2019, MA 2021); at the same time, he attended the ‘Corso ordinario’ (BA+MA) in the Class of Humanities at the Scuola Normale Superiore (2016-2021), where he has been a PhD student in Classics since 2021. His supervisors are Gianpiero Rosati and Alessandro Schiesaro.
Micaela Esposto graduated in Italian Studies from the University of Pisa (2021) and attended the ‘corso ordinario’ in Literature and Modern Philology at the Scuola Normale Superiore. Since 2021, she has been a PhD student in Italian Studies and Modern Philology at the Scuola Normale, in co-tutorship with the Université de Lausanne, where she is also an assistante diplômée in the Italian Section.
Mirko Donninelli studied Classics at the University of Pisa (BA, 2019; MA, 2021) and at the Scuola Normale Superiore (2017-2021). At the Scuola he is currently PhD student in Classics (2021-).
He is writing a dissertation on Ovid’s Metamorphoses and Fasti as a diptych, tracking complementarity and overlap between the two poems (supervisors: A. Schiesaro, G. Rosati).